CAST
GIRL ASLEEP (2016)
Starring Bethany Whitmore, Harrison Feldman, Amber McMahon, Matthew Whittet, Eamon Farren, Tilda Cobham-Hervey, Imogen Archer, Maiah Stewardson, Fiona Dawson and Grace Dawson. Directed by Rosemary Myers.
The world is closing in on Greta Driscoll. On the cusp of turning fifteen she can’t bear to leave her childhood, it contains all the things that give her comfort in this incomprehensible new world. She floats in a bubble of loserdom with her only friend Elliott, until her parents throw her a surprise 15th birthday party and she’s flung into a parallel place; a world that’s weirdly erotic, a little bit violent and thoroughly ludicrous – only there can she find herself.
Starring Bethany Whitmore, Harrison Feldman, Amber McMahon, Matthew Whittet, Eamon Farren, Tilda Cobham-Hervey, Imogen Archer, Maiah Stewardson, Fiona Dawson and Grace Dawson. Directed by Rosemary Myers.
The world is closing in on Greta Driscoll. On the cusp of turning fifteen she can’t bear to leave her childhood, it contains all the things that give her comfort in this incomprehensible new world. She floats in a bubble of loserdom with her only friend Elliott, until her parents throw her a surprise 15th birthday party and she’s flung into a parallel place; a world that’s weirdly erotic, a little bit violent and thoroughly ludicrous – only there can she find herself.
52 TUESDAYS (2014)
Starring Tilda Cobham-Hervey, Sam Althuizen, Imogen Archer, Del Herbert-Jane, Mario Späte, Beau Travis Williams, Danica Moors, Audrey Mason-Hyde, Greg Marsh and Sophie Hyde. Directed by Sophie Hyde.
16-year-old Billie's reluctant path to independence is accelerated when her mother reveals plans to gender transition, and their time together becomes limited to Tuesday afternoons.
Starring Tilda Cobham-Hervey, Sam Althuizen, Imogen Archer, Del Herbert-Jane, Mario Späte, Beau Travis Williams, Danica Moors, Audrey Mason-Hyde, Greg Marsh and Sophie Hyde. Directed by Sophie Hyde.
16-year-old Billie's reluctant path to independence is accelerated when her mother reveals plans to gender transition, and their time together becomes limited to Tuesday afternoons.
Filmed over the course of a year, once a week, every week - only on Tuesdays - these unique filmmaking rules bring a rare authenticity to this emotionally charged story of desire, responsibility and transformation.