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OUR CONTRIBUTORS
CHARLIE DAVID PAGE
SWITCH Editor / SWITCHCast Host
With a lifelong fascination for film and TV, Charlie studied at Charles Sturt University and completed a Bachelor of Arts (Television Production) before beginning a career at Channel Nine, where he worked as a producer for ten years. He has since worked in Bangkok, for Seven Network, as a Senior Producer for SBS World News, as well as the Head of Digital Content for Australian Geographic. Charlie runs the production company, SWITCH Entertainment.
TOP 3 ARTISTS: Sufjan Stevens, The Head and the Heart, Vampire Weekend
TOP 3 MOVIES: Kiss Kiss Bang Bang, Almost Famous, Donnie Darko
BEST CONCERT: Sufjan Stevens at the Sydney Opera House - 2011 (twice)
FIRST MEMORY OF A FILM: Either watching Milo and Otis or ET at a friend's house.
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By having us tag along with a bumbling protagonist, we can follow along with the fun with more fathomable empathy. For this reason, it's perhaps not just one of 2026's most interesting films, but one of the best video game adaptations of all time. Will we see Austin Abrams return in a sequel? You can be dead sure about that.
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It presents itself as its own beast, giving us something both entertaining and empathetically relatable. With a top-notch cast and lean, original script and creative action set pieces, there's a lot to sink your teeth into. It's the latest enjoyable addition to 2026's excellent box office run to date, and will certainly bring roars of both terror and laughter from theatre-goers.
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With the release of true cinematic gems like 'Obsession' and 'Backrooms' this year, haven't we had enough horror tripe like 'Ice Cream Man'? Isn't it time we demanded more from our cinema-going experience? We have the power to vote with our wallets, and there are so many 2026 films worthy of our hard-earned cash. 'Ice Cream Man' is far from one of them. Don't let this brain rot give you brain freeze. Find something a little sweeter to terrify you for your time and money.
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The message behind it is simple: despite the reservations and the fears we may face, our lives are short. We never know when they will come to an end. All that will be left when that happens is regret and longing. If there’s one message that ‘La Bola Negra’ tries to pass on to its audience, it’s this - don’t wait.
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'The Invite' packages the best and worst of human nature in something genuinely, riotously funny - brought to life by some of the most interesting actors working today. These two unconventional couples will have you hooked - and by the end, you'll be desperate for your own invite.
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With 256 films from 81 countries, how do you select which to watch in the festival's 12-day run? The SWITCH team has gathered reviews of SFF's biggest and best offerings!
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While 'Leviticus' promises to deliver a creepy queer supernatural horror, it arrives hollow and passive, largely due to its shallow romantic storytelling. It does reiterate Joe Bird's remarkable talent and puts Stacy Clausen in the spotlight as an actor to watch, but even their rousing performances can't rescue a script that buckles under the weight of its own convoluted ambitions.
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The less you know about 'Backrooms' going into it, the better time you're more likely to have. The insight it offers into the human mind has created something wonderful and twisted, set to leave you on edge from its opening moments. It's been a long while since we've been offered a horror this good, and it's all thanks to Kane Parsons, a director in his early 20s whose expansive online world is now getting a shot on the big screen.
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Turning up to a packed Enmore Theatre on a chilly Sydney night, it was clear the city was ready to make up for lost time - it was over six years since Of Monsters and Men had made their way down under, and the crowd of fans assembled weren't willing to miss a moment of it.
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Three unique sets, three complimentary acts. With the spanning the enormity of this live event, it’s a fantastic way for music lovers to experience a night’s worth of artists. If you have the chance to experience Bowling For Soup + Frank Turner & The Sleeping Souls as they trek around Australia, make sure you take up the chance to capture the memories.
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The haunted house trope has been tried thousands of times in cinema, with mixed success. In 'Hokum's' case, adding a folklore element isn't enough to distinguish it, and the concept gets lost among an extensive entanglement of ideas. It's unfortunate to see Adam Scott stumbling through this film, largely because of the mess of a script left strewn at his feet.
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As we witness the same history being repeated by dictators of all kinds across the globe, 'The President's Cake' unearths the secrets of bygone authoritarian regimes, takes us on an adventure through an ancient society as seen through the eyes of youth, and reveals the pinnacle of human perseverance and spirit.
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If you go in with low expectations, anticipate gallons of blood, and are prepared for the ending to descend into new realms of silliness, you'll have a solidly enjoyable experience. It's nothing genre-defining - or even franchise-defining - but the solid cast, witty humour and considerable gore should keep things entertaining.
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'Cold Storage' is an utterly forgettable affair - which is disappointing, because I went in with a little hope in my heart that it might, in fact, grab me by surprise. Sadly, all I left the cinema feeling was a wave of disappointment and a faint yearning that the final wave of destruction had occurred sooner.
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Like its lead character, 'The Bride!' outspoken and rambunctious and uncontrollable, driven by a power bubbling from deep inside Jessie Buckley. Its messages remain vital to avoiding complacency in a world that, more often than not, rewards it. This is a rebellious yell from Maggie Gyllenhaal that must be heard far and wide by as many people as possible.
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Sophie Hyde's work with Olivia Colman and John Lithgow is a momentously moving organism filled with great life and love. Offering a unique perspective on those we keep close to us in our lives and the way we choose to accept them, 'Jimpa' is both a powerful and tender snapshot of the unconventional family dynamic.
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While ‘We Bury the Dead’ technically is a zombie film, its horror comes from a much darker, more terrifying place - the fear we face when we lose the ones we love, and how we can possibly come to terms with that. Daisy Ridley offers us her best performances in years, along with Brenton Thwaites in one of the most off-kilter yet impeccable pairings we didn’t know we needed.
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There's a lot to love about 'Addition': on the surface, it's a sweet story, stuffed with a surprisingly hearty centre. Carried by terrific performances from Teresa Palmer and Joe Dempsie, this is a fulfilling, rewarding watch from an Australian team. Embrace it and all its differences.
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Whether you're in the mood for a satisfying emotional drama or a moving musical journey, 'My Brother's Band' will be sure to satisfy. Enjoy all of the sweetness and the sorrow this accomplished music-filled endeavour has to offer.
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Don't let 'Dead of Winter' fool you - much like Barb herself, it's full of surprises. Emma Thompson and Judy Greer are killer to watch, and its plot twists come from a question of morality that runs through the film's veins. It's one action thriller sure to unsettle you.
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The wallowing in misfortune makes it a punishing watch, while the amateurish approach to filmmaking only adds to this. Unfortunately, 'Anemone' is not a worthy return to acting for Daniel Day-Lewis. Perhaps a future project will redeem his legendary status.
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'Die My Love' is a complicated, unpalatable viewing experience. While held together by phenomenal performances from Jennifer Lawrence and Robert Pattinson, fault lines run deep beneath its foundation. It's an interesting yet imperfect portrait of a woman struggling with life and love after the birth of her child.
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'Shell' certainly has a tough exterior, with its messaging barely penetrating past skin deep. Still, it's a rollickingly enjoyable ride with enough laughs and gore, plus effortlessly clever performances from Elisabeth Moss and Kate Hudson to make it worth your time.
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'Black Phone 2' feels like a missed opportunity to embellish a world doused in dread. Instead, its story adds little to the original film, while providing the cast no platform to cultivate any real creative depth within their characters. Be prepared to leave the cinema feeling as bleak and cold as the Colorado wilderness.
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SXSW Sydney has unveiled the headliners for its 2025 Screen Festival, and it's a line-up set to ignite the city this October. From twisted horror and searing drama to surreal comedy and musical legend, the program reflects the bold eclecticism that has become the festival's hallmark.
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'Weapons' is a monumental step up from 'Barbarian'. The balance of horror, thriller and character comes together in a spectacular fashion to create one of the best blockbuster movies not just of this year, but for a really long time.
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Bringing something new to the body horror subgenre isn't an easy feat, and yet Michael Shanks manages that in his feature directorial debut. Watching the push and pull between Dave Franco and Alison Brie offers us the chance to consider how relationships change and evolve, and offers room for us to consider how attached we might be to our significant others.
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While the franchise persistently plods on, this solidly mediocre film is an easy dose of entertainment for those looking for an escape from reality. These films are never going to live up to the mega success that was 'Jurassic Park', but this one will certainly keep you chewing on your nails - even if it also lacks a little spark in its story.
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That Jafar Panahi can create something with such craftsmanship and power while completely undercover is a reflection of his brilliance, heroism, and obligation to the people of Iran. To be empassioned, to question, to experience this life for just 101 minutes is a fleeting yet valuable reminder that we are all the same.
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It’s sensational to once again witness such an exceptional Australian horror. It’s one killer film that locks on from the very first moment and refuses to let go.
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'The Wailing' stumbles far more than it succeeds. It's a horror film that is outright boring for considerable slabs of time. There doesn't need to be gore, there doesn't need to be terror - but there does need to be something to keep the audience engaged for the duration.
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Something is lurking in the shadow-filled frames of 'Vie Privée' that would reveal a genuinely fascinating film. Unfortunately, it seems it was doomed from the scripting stage, and no elevated calibre of the cast or crew could save it from what was built into the foundations.
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By simply skimming the surface of its sci-fi concept and extracting relatable human moments of broken heart and spirit, this multi-genre film about multiverse revenge has become so much more than the sum of its parts.
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There are moments of genuine dread; these mostly take place in the moments that haven't already been spoilt in the all-too-revealing trailer. 'Drop' will inevitably find its target audience - those younger and less cinematically savvy - but it's a problematic, derivative movie worth watching only for a handful of compelling performances.
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'Death of a Unicorn' is an enjoyable cinematic experience, and one that ticks a lot of boxes for a lot of different demographics. Grab this film by the horns and give it a good go; there's a solid chance you'll come out with a grin on your face.
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It's refreshing to see a film like 'Companion' - it might not be perfect, but it's thoroughly enjoyable. For those who enjoy the odd twist or a bit of blood and gore, you're likely to be all the more appreciative. Go in with low expectations and you'll be well rewarded.
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'Emilia Pérez' is currently the talk of the town, and that's fantastic... for its trans representation. At its core, it's a problematic film that tries to conceal its complications with glitz and glamour. So throw implausibility aside and dive in - but be aware that despite all the talk, this is a highly flawed and, at best, mediocre movie.
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This offers something unique to 'Queer' by bringing something we don't often see on the big screen: a powerful performance by a top star who can pick and choose their roles, bringing a seemingly simple yet masterfully told tale by an expert filmmaker and their team. It's a beautiful, rich, and, most of all, empathetic journey.
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This will fly under the radar for too many reasons, and that's a sin (pun intended). I hope A24's good name will go some way in garnering attention, because this slick little film is a mental puzzle for audience members who dare to pick at the deep concepts it dares to challenge.
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While the potential is there its execution is somewhat lacking, and while it's far from lacklustre, the final product doesn't fully execute on its horror promise.