A celebration of motherhood and an ode to that difficult moment where the relationship between a mother and their child reaches the point of separate paths. There are moments in this film almost too beautiful for words, where you can feel your heart catch in your throat, and even if it can be a touch too chaotic at times, it's worth it for those moments.

It takes the franchise back to its animated roots and makes for one of the most energetic and colourful 'Transformers' films. It's the perfect reset the film series needed, and is sure to bring in new fans while still having fan service for the biggest devotees.

This works as a U.S. version of its Danish counterpart, even if it's missing some of the impact. McAvoy proves once again what a powerhouse he is in the horror genre. This is the perfect popcorn flick if suspenseful horrors are your thing.

'Beetlejuice Beetlejuice' will leave you dead with how good a sequel it is. It's everything you could want and more. We get to revisit this outlandish, (ironically) lively world - and find it's only grown spectacularly in our absence.

'Harold and the Purple Crayon' is a book that continues to inspire children's imaginations, yet its 2024 film adaption is a bland wasteland that is best used if you want to punish them. There is no reason to even think about this movie, it serves no purpose, and manages to entertain absolutely no one.

It's not just quintessential Disney but cinema. It is one of the greatest films of all time - it gave us the gift that is Julie Andrews, unforgettable songs and, of course, all the technological achievements (we can't forget the penguins).

The day after its world premiere at the Melbourne International Film Festival, Connor spoke to Robert Connolly about whether his reputation has boosted his ability to finance his films, making Lester's book a literal part of the screenplay, and his recent escapade with Nicolas Cage in Cannes.

It's an insightful look into the non-linear healing process of sexual assault survivors. By directing and producing the documentary of her own story, Shiori Itō's 'Black Box Diaries' is revealing in ways few would allow themselves to be on camera.

Get excited for this year's Melbourne International Film Festival! Take a look through SWITCH's reviews and start putting together your must-see list.

As a straight-down-the-line, uncomplicated return to the horror roots of the series, there's a lot going for it. The action moves at a clipping pace, the central characters are easy to root for, it looks and sounds gorgeous and it throws in a few left-of-field surprises along the way.

Natalie Rae and Angela Patton have a long way to go in terms of their storytelling skills, but 'Daughters' is worth the frustrations and will still move many to tears.

'Inside' isn't reinventing the Aussie thriller, but it does establish Williams as a filmmaker who could see his name someday fall in the same sentence as Justin Kurzel, Thomas M. Wright or David Michôd. It's a film that rightfully demands to be talked about.

It's a surprisingly respectful and emotional story that is decently executed. Lively is carrying the film and completely draws you in. It suffers from structural problems and they make the final product weaker, but I do think its core demographic will get what they want out of this.

It’s not this legacy film it wants to be. It has too much pressure on it, and it’s biting off more than it can handle. The ride-or-dies are going to love it, but it needed a stronger structure to justify some of the things it was trying to go for.

'Longlegs' is a haunting experience and it freaked me out to a satisfying degree.

With one of the most prolific voices in the entertainment industry, Patrick Warburton has cultivated an everlasting occupancy in the animation circuit. Connor discusses working with Jerry Seinfeld, the vibe he got from Sting, and the convention edicts he sets for himself.

It doesn't forget what we love about 'Twister' in the first place, that it's a piece of balls-to-the-wall entertainment, with beautiful-looking and talented actors facing off nature's most mysterious and unstoppable meteorological foot soldiers. We come to 'Twisters' for the twisters, and by god, they're worth the ride.