MAGIC IN THE MOONLIGHT

The writing is great, full of snappy lines and witty repartee, delivered very well by both Firth and Stone, with some wonderful support from McBurney as Stanley’s colleague and friend Howard. Jackie Weaver is almost unrecognisable, but once you know it’s her, you realise just how versatile (and hilarious) this Aussie actress can be. Eileen Atkins as Stanley’s Aunt Vanessa is lovely as a foil to Firth’s cynical magician.

As the story moves along, you could be forgiven for thinking it was rushing, with Stanley falling head-over-heels for the line Sophie’s spinning. You’d be right, if the story was headed in the direction the standard Hollywood rom-com would take it. But ‘Magic in the Moonlight’ isn’t just about the romance between Stanley and Sophie, because for much of the film, there isn’t any romance at all. The unmasking of the real con artist is brilliantly done, if a little predictable, but it’s the outcome of the potential relationship between Stanley and Sophie that will keep you guessing to the end.

Lavish costumes and sets - including genuine southern France locations - set a beautiful tone for the entire film. The interesting use of soft focus and other vintage touches add an element of nostalgia that shouldn’t be underestimated. Colour is used to full advantage, with the increase in palette highlighting Stanley’s new faith in the supernatural. My only complaint is that there are some short scenes that seem a little abrupt; the film feels slightly like a quality stage production that hasn’t quite embraced the freedoms of the film format.

If you’re looking for a charming, entertaining and rather British film, ‘Magic in the Moonlight’ ticks all the boxes, and even adds a few more. It’s thoroughly enjoyable and I highly recommend it.