TARZAN

I find Disney's attempts at creating a toy line centred around boys to be as successful as their princess one interesting. There was one called Disney Adventurers (not to be confused with the magazine) that started alongside 'Tarzan'. Similar to the princess pink void, this line-up features Aladdin, Peter Pan and Captain Hook (including a villain in the main line-up only illustrates the problem with this branding), alongside Hercules and Tarzan on a blue void. The line dissolved in 2004, after never expanding on that line-up even though 'Treasure Planet' and 'Atlantis: The Lost Empire' were released in that timeframe. There was also a Disney Heroes line-up, but much border in their scope with Jiminy Cricket, Pongo and even characters from 'Home on the Range' and 'Enchanted', but less is known about this line-up. While both did have some moderate success, they never reached the heights of the princesses and thus were cancelled by Disney.

'Tarzan' is arguably one of the most faithful adaptions in Disney's collection. While other films have become the standard - you can't think of 'Aladdin' without picturing the Disney version - 'Tarzan' feels closer to other depictions of the character and stands alongside them as opposed to being the stereotype. While identifiably Disney the film stylistically stands out; 'Tarzan's' animation has thicker brown lines that resemble animation sketches. Phil Collins' music is still jaw-dropping and the story feels very intimate for a Disney film, with Jane and Tarzan's relationship being a core focus. The film also invented an animation technique called Deep Canvas. This allowed for CGI backgrounds to resemble a traditional painting that a camera can freely move around in. This allowed for not only stunning backgrounds but the truly gorgeous tree-surfing sequences that have become some of the most beautiful pieces in traditional animation. The final scene of the film with Tarzan and Jane surfing through the jungle as Phil Collins' 'Two Worlds' swells is a technical feat that will never not give me chills.

Of the Renaissance films, 'Tarzan' is the third-highest grossing, earning more than both 'The Little Mermaid' and 'Beauty and the Beast' but also costing the most to make at over five times the budget of the latter. 25 years on, it's interesting to see where just 'Tarzan' fits into that legacy. What became of Disney's 'Tarzan' as a franchise took some very interesting turns. The first was the video games. 'Tarzan' became something of a mascot for Disney during the PlayStation and Game Boy eras. Next was a short-lived animated series 'The Legend of Tarzan' (not to be confused with 'the 2016 film'); the animation is some of the worst in Disney television and features fantastic plots like the rediscovery of dinosaurs, a magical hidden ancient city with anthropomorphic leopards in which Jane gets possessed, and President Theodore Roosevelt goes on safari. The show lasted one season but a few episodes were produced for season 2 that were turned into the direct-to-DVD film 'Tarzan & Jane'. Which is the worst kind of Disney sequel - three episodes of a show poorly strung together to form some seamlines of a plot with absolutely point-of-the-barrel animation. Watching this right after the first film was jarring, with the drop in quality shocking. Next up was 'Tarzan II' - the other kind of Disney sequel, the mid-quel, taking place when Tarzan was a child. This one is a massive step up in terms of animation, plus they not only got Phil Collins to write new songs but also Glenn Close to return as Tarzan's adoptive gorilla mum. This one goes into the forgettable category, and adds absolutely nothing to the cannon that the 'Son of Man' sequence didn't already cover. We learn that Tarzan is not an ape but a... Tarzan, groundbreaking stuff.

Now the wildest and last part of the Disney 'Tarzan' franchise... the Broadway musical! In 1997, Disney took 'The Lion King' to the stage and changed the game. The company stayed off Broadway until 2006 when Phil Collins and the Mouse took these 'Strangers Like Me' to the stage. It sounds like a weird fit, but when you boil it down to a Disney movie - featuring animals, set in Africa and songs written by a British man - it all makes sense as to how this came to be. It's no surprise however that this is the least successful Disney Broadway adaption, lasting only until July 2007. Interestingly, while the show didn't have many international productions, it crushed it in Germany running from 2008 until 2018. It also had a reality TV show 'Ich Tarzan, Du Jane' ('I Tarzan, You Jane') where the winners became the lead roles. The show even got revived in Germany as recently as 2023.

'Tarzan' is fascinating to look back on. I didn't even touch on the fabulous NSYNC cover of 'Trashin' the Camp', a song with no lyrics but rather entirely scat singing, "Zabwe dap dooby doo" for two minutes. More than its other films, Disney took a lot of interesting journeys with this IP, and while it's easily overlooked as 'Toy Story 2' was released the same year, there is so much to love about it. It perfectly ties up what the Disney Renaissance was all about - innovation and creativity - and making films for modern audiences. As Walt once said, "We keep moving forward, opening new doors, and doing new things, because we're curious and curiosity keeps leading us down new paths," and 'Tarzan' truly captures that. Blast that Phil Collins soundtrack, surf on a tree and do your best 'Tarzan' yell, because 'You'll Be in My Heart' this 25th anniversary.