HITCHCOCK

This is a fascinating look at the making of one of the most famous films in history, and the tales and people at the root of it all. The trials, the tribulations and the human element behind it just goes to show that between then and now, as much as things change, they also stay the same.

The film itself takes an interesting approach by using Hitchcock-isms to tell the story, such as starting and ending the film by the man himself addressing the audience. It also takes creative license by depicting Hitchcock as a haunted man, suffering from dreams and visions of his current creative muse, Mr Gein. Turning Hitchcock into a compulsive eating loon with a creepy perverted side might not go down well with fans and filmgoers in general. Depicting a hero as flawed is one thing, but making him out to be downright unlikable is a gamble that rarely pays off.

Helen Mirren is mesmerising as Hitchock’s wife. Overlooked and under-appreciated by many, she’s actually the brains behind the genius man and the one that keeps him going. As the woman behind the man she struggles to find her place and value in the life of a man surrounded by beautiful women who become his temporary infatuations. Hopkins doesn’t quite nail the roll of the multifaceted filmmaker, relying a little to heavily on the body suit and makeup to do the job for him.

An interesting piece for industry members and film aficionados, but Hitchcock fans and others in search of a brillant movie in honour of the great man are going to be left wanting.